Get your week back.
You already know where to post a breakdown. What eats your week is everything after "submit": screening hundreds of tapes, chasing links that expire, running sessions by phone, and getting the client to actually decide. Slayt runs all of that in one tool, built keyboard-first for the person running the room.
Four things you stop doing by hand.
Only qualified tapes reach you.
Write the role's requirements once: age range, union status, local hire, languages, conflicts. Slayt turns them into yes-or-no rules and only lets matching talent submit. A 400-tape pile where every single tape meets the spec is a different job than a 2,000-submission pile where most don't.
400 tapes. About an hour.
One keypress records your verdict and starts the next tape. Slates skip automatically, the next video is already loaded, and Z undoes your last call. Tapes play in random order, which is also the fair-review standard your union talent expects. Your hands never leave the keyboard.
Clients decide from one link.
No more emailing links that expire or logins nobody remembers. Your client opens a private screening room in their browser, votes yes, maybe, or no on each pick, and chooses callbacks. You watch the votes land live, and "who approved this?" always has an answer. Every view is watermarked; you can kill a link anytime.
The paper trail writes itself.
Every status change is logged automatically: who, when, why. The log can't be edited, even by us. And with Texas production money requiring a rising share of Texas-resident cast, Slayt records residency on every booking, so the compliance report is a printout, not a project.
The room, on screen.
What you're probably wondering.
We're onboarding a small group of Austin casting offices.
We run real projects with you, end to end, and we don't grow until you'd vouch for us. If that sounds like your office, watch the demos and reach out through anyone who knows us. A direct line is coming to this page.